Expert choice for escape velocity

When you want to find escape velocity, you may need to consider between many choices. Finding the best escape velocity is not an easy task. In this post, we create a very short list about top 6 the best escape velocity for you. You can check detail product features, product specifications and also our voting for each product. Let’s start with following top 6 escape velocity:

Best escape velocity

Product Features Editor's score Go to site
Escape Velocity: Free Your Company's Future from the Pull of the Past Escape Velocity: Free Your Company's Future from the Pull of the Past
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Escape Velocity Escape Velocity
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Escape Velocity, A Passover Haggadah for the Whole Family Escape Velocity, A Passover Haggadah for the Whole Family
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Escape Velocity: American Science Fiction Film, 19501982 (Wesleyan Film) Escape Velocity: American Science Fiction Film, 19501982 (Wesleyan Film)
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ESCAPE VELOCITY: Not all that spins away is lost, Not all that comes home is familiar. ESCAPE VELOCITY: Not all that spins away is lost, Not all that comes home is familiar.
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Escape Velocity (Mountain West Poetry Series) Escape Velocity (Mountain West Poetry Series)
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1. Escape Velocity: Free Your Company's Future from the Pull of the Past

Feature

HarperBusiness

Description

Readthis book to learn how to create a company as powerful as Apple.Guy Kawasaki,former chief evangelist of Apple

InEscape Velocity Geoffrey A. Moore, author of the marketing masterwork Crossingthe Chasm, teaches twenty-first century enterprises how to overcome thepull of the past and reorient their organizations to meet a new era ofcompetition. The worlds leading high-tech business strategist, Moore connectsthe dots between bold strategies and effective execution, with an action planthat elucidates the link between senior executives and every other branch of acompany. For readers of Larry Bossidys Execution,Clay Christensens Innovators Solution, and Gary VaynerchucksCrush It!, and for anyone aiming for the pinnacle of business success, EscapeVelocity is an irreplaceable roadmap to the top.

2. Escape Velocity

Description

Though Charles Portis is best known for his fiction writing, he is also a prolific essayist, travel writer, and newspaper reporter.

Collected here in Escape Velocity, edited by Jay Jennings, is his "miscellany" journalism, short fiction, memoir, and even the play Delray's New Moon, published for the first time in this volume. Portis covers topics as varied as the civil rights movement, road tripping in Baja, and Elvis' s visits to his aging mother for publications such as the New York Herald Tribune and Saturday Evening Post. Fans of Portiss droll Southern humor and quirky characters will be thrilled at this new addition to his library, and those not yet familiar with his work will find a great introduction to him here. Also included are tributes by accomplished authors including Donna Tartt and Ron Rosenbaum.

3. Escape Velocity, A Passover Haggadah for the Whole Family

Description

Large heirloom edition: 13.75 x 9.75 inches and weighs almost 4 lbs.
Gripping illustrations with over 60 full-page and in full-color.
Silver gilded pages provide a luxury finish.
A fully illustrated pull-out section that spans more than 3 feet!
The perfect gift to buy for the host of your Seder or to provide for each person at your Seder (they will not want to share this one). Also makes an excellent Bar and Bat Mitzvah gift.

Synopsis: On Passover a Jew is obligated to see himself as if he came out of Egypt.

Yes, but how?

The Passover Haggadah, the text that is meant to guide one through the Seder night, is almost as old as the holiday itself. It tells a story of ages ago, removed by millennia from our modern lives. And how can Jews relate to an ancient persecution when we are not seventy years removed from the cataclysm of the Shoah?

Escape Velocity works under a very simple assumption: The Haggadah is the one source Jews use, on the one night they have, to express, and be impressed, by their faith. Escape Velocity sees to it that the Haggadah lives up to that promise. It strives to find relevance in a story few Jews can relate to. It recognizes the intent of the text and places enormous demands on it to not only be a good read, but for it to be a good feel for it to be felt: deeply.

Escape Velocity is a how-to of sorts. It sets an example of how to bring one's self to the Seder table and intertwine the richness inherent in each of us with the poetry and song found throughout the Haggadah. It reveals an ancient tale which is told by the wise and the pious, but one that is meant to be read and listened to by the Jew of today. It is a celebration of synthesis between the wisdom of the ancients and modern man s unique vantage point - a post-Apocalyptic vantage point. When the Haggadah is read through the eyes of such a generation, it takes on an existential tone and moves from a commemoration of an event in the past, to a celebration of our lives in the now .

Escape Velocity s commentary, its design, as well as its illustrations all work to uncover a dynamic, riveting opportunity to connect with ones faith and impart that faith to others. It reveals a Haggadah of existential proportions, perfectly suited for a people of extra-ordinary circumstances. In the end, Escape Velocity teaches us that we have more in common with our ancient ancestors than we think. Our emerging from the dark shadow of the Shoah makes the exodus of our people from Egypt a blueprint of sorts for our modern lives.

The Jewish people has rarely known a time where their hopes and dreams were not ripped from their tightly clenched fists and tossed out a window like a handful of magic beans. Indeed, history has been less than kind to the chosen ones. As the Passover Haggadah declares: In all ages they rise up against us to destroy us ... . Expulsion. Crusade. Pogrom. Pick your persecution; the Jew has known it.

Yet somehow one gets the feeling that recent times have taken knowing to new levels. Never before have so many been so close to so much unabashed, raw evil. Never before have so few survived, been pushed so far and left with so little. The Holocaust: more than crusade, more than pogrom, even more than genocide was no less than deicide. And although faith was never wholly rational, it was now reduced to the ridiculous, and the faithful left wide open to ridicule.

These are the times in which we find ourselves. And suddenly, the very fact becomes an imperative. In these times, we must find ourselves! The Seder night then becomes the battleground where man s stare must penetrate his own heart, and without missing a beat his heart must courageously return the gaze.

4. Escape Velocity: American Science Fiction Film, 19501982 (Wesleyan Film)

Description

Today, movie theaters are packed with audiences of all ages marveling to exciting science fiction blockbusters, many of which are also critically acclaimed. However, when the science fiction film genre first emerged in the 1950s, it was represented largely by exploitation horror filmslurid, culturally disreputable, and appealing to a niche audience of children and sci-fi buffs. How did the genre evolve from B-movie to blockbuster? Escape Velocity charts the historical trajectory of American science fiction cinema, explaining how the genre transitioned from eerie low-budget horror like It Came from Outer Space to art films like Slaughterhouse-Five, and finally to the extraordinary popularity of hits like E.T. Bradley Schauer draws on primary sources such as internal studio documents, promotional materials, and film reviews to explain the process of cultural, aesthetic, and economic legitimation that occurred between the 1950s and 1980s, as pulp science fiction tropes were adapted to suit the tastes of mainstream audiences. Considering the inescapable dominance of todays effects-driven blockbusters, Escape Velocity not only charts the history of science fiction film, but also gives an account of the origins of contemporary Hollywood.

5. ESCAPE VELOCITY: Not all that spins away is lost, Not all that comes home is familiar.

Description

Escape Velocity is an anthology of thirteen diverse contemporary short stories from India, woven around the extraordinary tales found in ordinary lives. Readers will resonate with these stories of life's many paradoxes that sometimes find happy resolutions, and sometimes can't be gotten rid of. There are stories of childhood, and lost innocence, of happy memories and dark secrets, of homecoming and alienation, of shrinking of the self and longing for freedom. In this geographically varied collection, settings ranging from a small town in Punjab to the metros of Delhi, Gurugram, and Kolkata. The action ranges across locales as intimate and immediate as the stream of consciousness narration of a character, to the external travails a city dweller couple face in trying to set down roots on the banks of the Brahmaputra. The language used is polished English prose, with rich shades of local intonations, be it the Kumaoni, Assamese, Punjabi or Japanese used by the protagonists in different stories. With warmth, intimate vulnerability and honesty the authors reveal rich inner lives of their characters - people like you and me - everyman, everywoman, in the fast changing milieu of past and present day urban India. In introducing the book with his insightful and heartfelt essay titled The Alien Insiders, acclaimed novelist, academic and literary critic Saikat Majumdar writes: "All great art is an endless tension between the alien and the familiar, a tension impossible to resolve. The ongoing synergy of this struggle creates the entropy for fiction...Here are stories that will draw you into a world you know. And then, when you are not looking, shock you into the spell of the beautiful and the dangerous. For those of you about to dip into them for the first time, I'm jealous of the treat that awaits you."Escape Velocity has been conceptualised, edited and curated by Kiranjeet Chaturvedi, and features the writing of Anjali Gurmukhani Sharma, Dinakshi Arora, Donna Abraham, Gunjan Pant, Ilakshee Bhuyan Nath, Kasturi Patra, Kavita Bhashyam Jain, Kiranjeet Chaturvedi, Manmeet Narang, Megha Consul, Shweta Markandeya, Ruby Kapoor and Vanessa Ohri. To quote Saikat Majumdar again, The stories in this collection are art in the true sense of the term. As you read them, you cannot but feel their deep rootedness in contemporary, quotidian life... To be most richly alive is, in some ways, to forget one is in the midst of life; we do not notice the air we breathe (or notice it only when it is deeply polluted, i.e., below life quality)... all of them are real, honest, and telling, because all of them are more life than art."

6. Escape Velocity (Mountain West Poetry Series)

Description

From the moment of a marriages heated inception to its period of luminous crowding and onward into distance and darkness, Bonnie Arnings Escape Velocity asks if its possible to exist outside the only universe weve ever known. In modes both lyric and narrative, we are given a peephole into the height and decline of a marriage that begins beneath the moving lights of Las Vegas, Nevada, and traverses the devastating terrain of gambling, miscarriage, infidelity, and violence.

Arning gives voice to divergent aspects of love and violence through her use of math problems, erasures, dictionary entries, structured stanzas, and sprawling free verse. This multiplicity of forms comes together to explore everything from pop culture references of domestic violence to cultural notions of victims and victimhood. However dark, collectively these poems tell a love storyan acceptance of our capability to love those who hurt us, but also the love-of-self required to slowly and steadily reach "the velocity to be everleaving."

In the tradition of Eavan Boland and Louise Glck, Arning wrestles down and examines the terrible without flinching. We journey with her, engrossed by each difficult truth: a precipice near which we are both terrified to stand and transfixed by its unnerving insistence on beauty.

Conclusion

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